I wanted to cover the outside in the dark tenmoku (DMM4), but leaving some porcelain visible, emphasizing the porcelain body. I poured transparent 51 on the inside, then, after dipping the rim into the same glaze and leaving it to dry, I dipped the rim into latex. With latex also on the bottom, I dipped the goblet into the DMM4, holding from the rim. Then a big squirt of DMMH2 from a wide-nibbed bulb, followed with a couple of thin squirts of 11A. Thanks to Daniel de Montmollin and Carol Youngner for the glazes.

Fired to 1260°C, in oxidation.